tag:blogger.com,1999:blog-73488391700790591892024-03-04T22:47:44.073-08:00girish palexploring myself that what i am & why i am here on earth, from where i have came and where i have to go.Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-7348839170079059189.post-7371745754434023652008-06-29T17:16:00.000-07:002013-04-30T10:51:37.019-07:00Girish Pal<div dir="ltr" style="text-align: left;" trbidi="on">
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I am <span style="color: #ffcc99;">GIRISH PAL</span>, 30 years of age, born in new delhi. working in Indian film industry, mumbai. Professionally i am an Actor, i am doing theatre from the last 6 years from various theatre groups under the direction of different directors.<br />
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<b>Film Experience:-</b></div>
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<b><span style="color: #990000;"><i>Completed projects:-</i> </span></b></div>
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<b>Film:- </b></div>
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<ul>
<li style="margin-left: 15px;"><span style="color: #222222;"> </span><b><span style="color: #e06666;">Vishram sawant's</span></b><span style="color: #222222;"> upcoming film </span><span style="color: #e06666;">"<b>Shooter</b>"</span><span style="color: #222222;"> releasing in 2013.</span></li>
<li style="margin-left: 15px;"><b><span style="color: #e06666;"> kabir sadanand's</span></b><span style="color: #222222;"> next venture "</span><span style="color: #e06666;"><b>Project 36</b>"</span><span style="color: #222222;"> releasing in 2013.</span></li>
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<li style="margin-left: 15px;"><b><span style="color: #e06666;">WAT TO GO</span></b><i style="color: #222222; font-weight: bold;"> </i><span style="color: #222222;">Directed by Gitesh and Kartik.</span></li>
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<b><span style="color: #990000;">Telefilms and short films:-</span></b></div>
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<li style="margin-left: 15px;"><b><span style="color: #222222; font-weight: normal;">Worked with </span><b><span style="color: #e06666;">Sourabh Shukla</span></b><span style="color: #222222; font-weight: normal;"> in a </span><span style="color: #e06666;"><b>short film</b><span style="font-weight: normal;">.</span></span></b></li>
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<li style="margin-left: 15px;"><b><span style="color: #222222; font-weight: normal;">Did Telefilm titled </span><i><span style="color: #e06666;">"castration"</span></i></b></li>
<li style="margin-left: 15px;"><span style="color: #222222;">Did Telefilm titled </span><b><i><span style="color: #e06666;">"psycho"</span></i></b></li>
<li style="margin-left: 15px;"><span style="color: #222222;">Did short film titled</span><b><i><span style="color: #222222;"> </span><span style="color: #e06666;">"Sankalp"</span></i></b><span style="color: #e06666;"> </span></li>
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<b><span style="color: #990000;">Corporate movies:-</span></b></div>
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<li style="margin-left: 15px;"><span style="color: #222222;">Done a corporate movie for </span><b><span style="color: #e06666;">Cadbury Oreo.</span></b></li>
<li style="margin-left: 15px;"><span style="color: #222222;">Done a corporate movie for </span><b><span style="color: #e06666;">greenlam plywood.</span></b></li>
<li style="margin-left: 15px;"><span style="color: #222222;">Done a corporate movie for </span><b><span style="color: #e06666;">Mahindra.</span></b></li>
<li style="margin-left: 15px;"><span style="color: #222222;">Done a corporate movie for </span><b><span style="color: #e06666;">Mother Dairy.</span></b></li>
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<b><i><span style="color: #990000;">On floor Projects:- </span></i></b></div>
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<li style="margin-left: 15px;"><b><span style="color: #e06666;">Vishwas patil"s</span><span style="color: #222222;"> </span></b><span style="color: #222222;">film</span><b><span style="color: #222222;"> </span><span style="color: #e06666;">"Rajjo"</span></b></li>
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<span style="color: #ffff66;">In these 6yrs i have worked in many recognised and good plays like :- </span><br />
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<span style="color: #cc33cc;">Mahesh dattani's</span> <span style="color: #3366ff;">(final solution)</span><br />
<span style="color: #cc33cc;">Swadesh deepak's <span style="color: #009900;"><span style="color: #3366ff;">(Court Martial)</span> </span><br />Narender Mohan's <span style="color: #009900;"><span style="color: #3366ff;">(Mr. Jinnah)</span> </span><br />Dhoodh Nath Singh's <span style="color: #009900;"><span style="color: #3366ff;">(Yama Gatha)</span> </span><br />Vinod Mishra's <span style="color: #003333;"><span style="color: #3366ff;">(Tat Niranjana)</span> </span><br />Swadesh Deepak's <span style="color: #009900;"><span style="color: #3366ff;">(Sabse Udaas Kavita)</span> </span><br />Nag Bodas's <span style="color: #3366ff;">(Amma Tujhe Salaam) </span></span></div>
<span style="color: #cc33cc;">Nag Bodas's </span><span style="color: #3366ff;">( Thank You Baba Lochan Dass)</span><br />
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<span style="color: #cc33cc;">Dario Fo's <span style="color: #3366ff;"><span style="color: #3366ff;">(Accidental Death of an Anarchist {Operation Three Star}) </span></span></span><br />
<span style="color: #cc33cc;">Anton chekhov's <span style="color: #3366ff;">(Log Baag) </span><br />Girish Karnad's <span style="color: #3366ff;">(Rakt Kalyan) </span><br />Habib Tanwar's <span style="color: #009900;"><span style="color: #3366ff;">(Mote Ram Ka Satyagrah)</span> </span><br />Mahesh Dattani's </span><span style="color: #3366ff;">(30 days in september) </span><br />
<span style="color: #cc33cc;">friedrich durrenmatt's</span> <span style="color: #009900;"><span style="color: #3366ff;">(The Physicists)</span> </span><br />
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<span style="color: #ffff66;">i played lead in almost all the plays and received good reviews from the critics and audience.<br />i have also taken part in various recognised theatre festivals like :-</span><span style="color: yellow;"></span><br />
<span style="color: #cc33cc;">Bharat Rang Mahotsav</span><span style="color: #3366ff;">, N.S.D. delhi </span><br />
<span style="color: #cc33cc;">Nehru Centre Festival</span><span style="color: #3366ff;">, Mumbai </span><br />
<span style="color: #cc33cc;">Pawas Theatre Utsav</span><span style="color: #3366ff;">, Patna </span><br />
<span style="color: #cc33cc;">Jaipur Natya Samaroh</span><span style="color: #3366ff;">, Jaipur </span><br />
<span style="color: #cc33cc;">Bhartendu Natya Utsav</span><span style="color: #3366ff;">, Delhi </span><br />
<span style="color: #cc33cc;">Asmita Summer Theatre Festival</span><span style="color: #3366ff;">, Delhi </span><br />
<span style="color: #cc33cc;">Vivechna Theatre Festival</span><span style="color: #3366ff;">, Jabalpur </span><br />
<span style="color: #cc33cc;">National Theatre Festival</span><span style="color: #3366ff;">, Amritsar </span><br />
<span style="color: #cc33cc;">Muktibodh National Festival, IPTA</span><span style="color: #3366ff;">, Raipur </span><br />
<span style="color: #cc33cc;">Mallika sarabai Theatre Utsav</span><span style="color: #3366ff;">, Ahmedabad </span><br />
<span style="color: #3366ff;"></span><br />
<span style="color: #ffff66;">i have also directed street plays like :</span><br />
<span style="color: #ffff66;"></span><br />
! Rahul Boxer<br />
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I had also worked in kids show called "SKATOONY". I conduct annual functions and theatre workshops in various recognised schools.<br />
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<span style="color: #ffff66;">Director's word about Giriesh :-</span><br />
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Girish pal came to me 6 yrs back and right from his 1st day in Asmita he impressed me with his work a lot with his work, sincerity and dedication and from then i started keeping a tight eye on him. He is a hard working guy, creative, sensible, sensitive and very emotional, he can't se anyone in trouble. He use his heart more than his brain, this is his plus point and minus point also. He observes his environment very deeply and try to get new thing from there. His observation power is very good, and becouse of this habit he understands the various characters very soon and easily. Girish pal was 23yrs old with very slim and thin body with little beard and mouchtaches when he played the character of Ramnik(who is around 50 to 55 yrs old) in Final Solution and he did a fantastic job in that character. Girish pal played the best Ramnik ever. This character would be his one of the memorable character. He also played Babban in this play and did good job as Babban also. Some times i think, Instead of 'mote ram ka satyagrah' the play should be called as 'girish ka satyagrah' or 'magistrate ka satyagrah' becouse girish has done a tremendous job in 'mote ram ka satyagrah' in the character of magistrate. i wish him good luck in future. and i hope he will surely achieve his dreams one day.<br />
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<span style="color: #ff9966;">Arvind Gaur :- (director, asmita)</span><br />
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<span style="color: #ffff66;">Friend's comment :-</span><br />
<span style="color: #ffff66;"></span><br />
<span style="color: #3366ff;">Peaple love to see play 'mote ram ka satyagrah' again and again just because of girish pal, he also did a awesum job in "amma tujhe salam" in d character of jaggi.</span><br />
<span style="color: #99ffff;"><span style="color: #cc33cc;">Usman Mohammad.</span> </span><br />
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<span style="color: #cc33cc;"><span style="color: #3366ff;">Girish pal looks very cute in 'Yam Gatha' in shaved head. all thumbs up for girish in 'mote ram ka satyagrah' and 'amma tujhe salam'.</span> </span><br />
<span style="color: #99ffff;"><span style="color: #cc33cc;">Srishti.</span> </span><br />
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<span style="color: #3366ff;">i got goose bumbs when i saw girish pal in court martial.</span><br />
<span style="color: #cc33cc;">Amit basoya.</span><span style="color: #ccffff;"></span><br />
<span style="color: #3366ff;">every body was literally crying in the auditorium when girish did "ramchander" in 'court matial'. i have also seen his Ramnik .. kudos to girish pal.</span><br />
<span style="color: #cc33cc;">Garima arya.</span><br />
<span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">Wanna see johnny depp(pirates of carribian) live, see girish pal in 'mote ram ka satyagrah'.</span><br />
<span style="color: #cc33cc;">Divya .</span><span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">girish pal played yashwant nikose with simplicity. His yashwant nikose can't be forgotten.</span><br />
<span style="color: #cc33cc;">Bimal, jabalpur.</span><span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">I became a big fan of girish pal after seeing him in 'mote ram ka satyagrah', 'operation three star', '30days in september'. He really did great job in all the plays. very energetic and entertaining actor. Hats off to girish.</span><br />
<span style="color: #cc33cc;">Amy.</span><span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">Most of us dreams but very few of us could accomplish them, Girish pal comes in that category, its not just his will to do that its actually his talent that make him what he is today, when you see his play you can totally tell that the guy has potential in plays like :- 'deepak in 30days in september', 'ramnik in final solution', 'magistrate in mote ram in satyagrah', 'ramchander' in court martial, 'jinnah in Mr. jinnah', 'writer in log baag', 'supritandent in Accidental death of an anarchist(O.T.S)' list is long. hats of to you man.</span><br />
<span style="color: #cc33cc;">Sumit sharma.</span><span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">Awesome!!! What an actor, great acting by girish pal in operation three star. Its worth to see if he is on the stage. one word (versatile)</span><br />
<span style="color: #cc33cc;">Rahul. </span><br />
<span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">Girish is simply an amazing guy, we have been friends for long ... and i could not believe he has gone this far ... after seeing all of this ... wowwwww ... i am so sure you gonna make it really big someday ... when i get to india again i wont miss any of your plays ... two thumbs up for this great guy ... im really so proud of you yaar...GOD BLESS and more blessings to come....keep up the good work...</span><br />
<span style="color: #cc33cc;">Roselle Baes.</span><br />
<span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">All i can say Girish is out of this world.</span><br />
<span style="color: #cc33cc;">shilpi ashta</span><br />
<span style="color: #99ffff;"></span><br />
<span style="color: #3366ff;">Your fan's are missing you. "30 days in september" will not be 30 days without you..</span><br />
<span style="color: #cc33cc;">ahmed fawaz</span><span style="color: #99ffff;"></span><br />
<span style="color: #99ffff;"></span><br />
<span style="color: #ff9966;">Height :-5'11"</span><br />
<span style="color: #ff9966;">Weight :- 70 kgs</span><br />
<span style="color: #ff9966;">Contact no. :- 9867085639, 9022144265</span><br />
<span style="color: #ff9966;">E mail id</span> - <a href="mailto:girish_145@yahoo.co.in">girish_145@yahoo.co.in</a><br />
<a href="mailto:girish145@gmail.com">girish145@gmail.com</a><br />
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Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com2tag:blogger.com,1999:blog-7348839170079059189.post-75414624443780424192008-06-29T17:11:00.000-07:002008-11-08T17:10:59.772-08:00THE PHYSICISTS<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_BfCmvH1ymQmnHSmc8pKiuiRUFOQ8ZdYJMY_rUYqZCX7c-jnjmkq0Ge7F4SXTKB7x24I7U0WwW_0cNO0wwg1ZJ70ZPwokWeM21td6PBipTrNI9L53ieLcUBqH4uOi2ohEJOwJ5xDkqbw/s1600-h/Old+SRK.jpg"><img id="BLOGGER_PHOTO_ID_5264848093138875010" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_BfCmvH1ymQmnHSmc8pKiuiRUFOQ8ZdYJMY_rUYqZCX7c-jnjmkq0Ge7F4SXTKB7x24I7U0WwW_0cNO0wwg1ZJ70ZPwokWeM21td6PBipTrNI9L53ieLcUBqH4uOi2ohEJOwJ5xDkqbw/s320/Old+SRK.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3w6SV5meDQSEkly_oLJFxO8KrL1OE9K21VSPjRPGcpVgU-w3BMWZwi8HVAWkKqyq91NtY0bG1bap8S5SROfGEMgolIkGErBpTtxjQw3MwJx-QU5AAZarHvJfPJwMFgkkXMnb2dVP2szU/s1600-h/The+physicists.jpg"><img id="BLOGGER_PHOTO_ID_5264848085737260098" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3w6SV5meDQSEkly_oLJFxO8KrL1OE9K21VSPjRPGcpVgU-w3BMWZwi8HVAWkKqyq91NtY0bG1bap8S5SROfGEMgolIkGErBpTtxjQw3MwJx-QU5AAZarHvJfPJwMFgkkXMnb2dVP2szU/s320/The+physicists.jpg" border="0" /></a><br /><br /><div><span style="color:#ffff00;">The Physicists</span><br /><br />The Physicists is a satirical drama worked by the Swiss writer Friedrich Durrenmatt which deals with the progress of the modern science & its respossibility for the impact it has on our lives.<br /><br />The play elutes to the rising fear of the people that nuclear welfare & technology would advance so greatly, and the concern that mankind was not yet ready to handle such a responsibility.<br /><br />The story starts in the Sanatorium where three physicists.. George Vergis, M.S. Swaminathan(who pretends himself as Newton) and Badrinath Nagpal(Einstein) are being treated.<br /><br />A murder has occurred and this was the second one within three months. The investigating officer can’t do anything about it because the murderers were already declared insane. We later learn that none of three patients treated here is insane. They all faked it for slightly different reasons.<br /><br />George, who declared himself to be regularly speaking to the Biblic king Solomon, is the wisest. He initially faked his paranoia to be confined to his little cell so no one would believe his inventions or even searce for something he invented.<br />What was the reason behind it?<br />Whether his decision was right?<br />What happened to his inventions?<br /><br /><span style="color:#cc9933;">Writter</span> :- <span style="color:#3366ff;">friedrich durrenmatt</span><br /><span style="color:#3366ff;"></span><br /><br /><span style="color:#ffff33;">Director's word :-</span><br /><br />I saw girish 1st time during the show of final solution. and right from that show i always wanted to work with him and wanted to direct him in a play. and after 2 long yrs finally i got the chance to direct him in this play. he is very enthusiastic, energetic, and talented Actor. i wish him all the success in life<br /><span style="color:#ff9966;">Sunil Rawat (director, THE PHYSICISTS)</span></div></div><br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dz_ER8pt4EeIxUXpKShy6PAfxKCxMgnsNQoiSWt2UTB0Bn0F1sIG1rCRrX7ggznK-J360-51u507G7ovZpg-w' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com3tag:blogger.com,1999:blog-7348839170079059189.post-151906629592344102007-09-18T11:54:00.000-07:002007-10-25T13:18:52.220-07:00Log - Baag<span style="color:#ffff33;"><strong>Log - Baag</strong></span><br /><br />Depicting lives of everyday mortals "LOG-BAAG" reveals myriad of moods, class distinctions and various shades of mind and attitude. A play with eight short stories ofchekhov woven together, each individualy depicting a slice of life. Yet, the common thread that binds them together is the essential conflict between "What should be" and "What is" and also the typical Chekhovian end that undercuts each story as a very first last moment.The stories can be seen as seemingly transaprently simple yet with great subtlety Chekhov undercuts mammoth institutions like, Bureaucracy , parenting , marriage , medicine ..... yet at the same time chekhov goes behind social institutions and with great sensitivity revelas glimpsis of human emotions of insecurity, namelessness, confusion , pain .......The playwright Neil Simen has brilliantly selected the short stories such that each one dipicts the complex facets of the writer in the play. The writer's conflict at penning down his experiences as stories, itself is an organic story in the play.<br />writer :- <span style="color:#6633ff;">anton chekhov</span>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com0tag:blogger.com,1999:blog-7348839170079059189.post-85385764863362476342007-09-18T11:44:00.001-07:002008-11-10T11:05:35.674-08:00Amma Tujhe Salam<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkTmrd6faHwfiAZ7RIoWyViw8iSU_boiWng0ULrg3GqvgVoDRb28B92vOjvusZ1S4_DO-tui9JcMbxNPixjaxQEc-V7Mdihl-5bNGEZxcY9W2_k3EWa1lELkuyEP6sDH5Ll6pm3ruWKq4/s1600-h/amma+tujhe+salaam+-+15+august+2007+(14).jpg"><img id="BLOGGER_PHOTO_ID_5111617603767070610" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkTmrd6faHwfiAZ7RIoWyViw8iSU_boiWng0ULrg3GqvgVoDRb28B92vOjvusZ1S4_DO-tui9JcMbxNPixjaxQEc-V7Mdihl-5bNGEZxcY9W2_k3EWa1lELkuyEP6sDH5Ll6pm3ruWKq4/s320/amma+tujhe+salaam+-+15+august+2007+(14).jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh39I6KsWiKLsSDe0fXuVleoTbCCRKzBc5F74MRCQTWggAjLc7sCJULfjyxVt8-z7rqiOCwRcOycF34BRvzGG9VxWJkKBhshL3vvQFCZHuv9KCbYTPxDKhmBHZ_vdBDHdLtRFDyg1yzR5c/s1600-h/girish+salam.jpg"><img id="BLOGGER_PHOTO_ID_5111617608062037922" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh39I6KsWiKLsSDe0fXuVleoTbCCRKzBc5F74MRCQTWggAjLc7sCJULfjyxVt8-z7rqiOCwRcOycF34BRvzGG9VxWJkKBhshL3vvQFCZHuv9KCbYTPxDKhmBHZ_vdBDHdLtRFDyg1yzR5c/s320/girish+salam.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmvHDRo_fj-9t2mkYIvhVXa4K1m6fCfSoHLhaqF0v0i37tjDLOquOdDC5HJ22xN4UpnLQXpJ2AjTFpwEuZv-yllobzXqz3OGwPRc1GBQYhtn73-xZS7OVe7vNR8QXQYGihQ9PBYw7HBa4/s1600-h/girish+amma.jpg"><img id="BLOGGER_PHOTO_ID_5111617608062037938" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmvHDRo_fj-9t2mkYIvhVXa4K1m6fCfSoHLhaqF0v0i37tjDLOquOdDC5HJ22xN4UpnLQXpJ2AjTFpwEuZv-yllobzXqz3OGwPRc1GBQYhtn73-xZS7OVe7vNR8QXQYGihQ9PBYw7HBa4/s320/girish+amma.jpg" border="0" /></a><br /><strong><span style="color:#ffff00;">Amma tujhe Salam</span></strong><br /><br /><br />Amma Tujhe Salaam written by the late Shri Nag Bodas is a social satire centred on the lives of beggars, a class of people who have been made outcasts by a consumer-centric society that rejects its own children in their hour of need. The play exposes the hypocrisy of social rules and norms, through the story of Bhura, a handicapped mechanic who loses everything when he is betrayed by those closest to him. In spite of the harshness he faces in his new world, he maintains his integrity and continues to dream of small joys. When he runs into Chhalni and her two children who have never known a world outside beggary, he teaches them to do the same.In the meantime, Jaggi "Boss" and his two sidekicks Tanny and Teja, who are aspiring underworld dons, portray another facet of social disharmony. Their story reflects the frustration of having un-met needs, and the other side of social impact: a struggle for power and finally emergence into a mirror image of the system itself, symbolizing ambition and ruthlessness. The issue of trafficking of women and children also forms a sub-plot of this play. The horrifying transformation of innocent childhood joys to mental instability and lifelong scars is worthy of thought, and adapted well into the main storyline.<br /><br /><span style="color:#996633;">writer</span> :- <span style="color:#6633ff;">naag bodas</span><br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwD216o6DufAcKMr5dt8KZxdsXDuVwzxUakHQz3gN26u4xMd7JEV4REAZfSS5dr_6MeqEGp6krlsUfPL07G0g' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dw-6OFeAvaORr1wnrI8THswFWAIVmpnP_hannPibdjQ-3oVdnQNCFFG5_Y589QFaO1WjCIJySQPo1wuREbZgw' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com1tag:blogger.com,1999:blog-7348839170079059189.post-19504328730576491632007-06-17T12:36:00.000-07:002007-06-17T12:40:33.559-07:00Reviews and interviews of girish in various newspapers<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEistpWJimUtAeF6yqc8aOUd38WPE6b8Q6a4ooEjcw_f2yaA-4Kf_mXwCa7CeVPAk6u9b8xmpU-ULL74ufJoJxRFrZzwPlRPGIYwxpVJ-H6nF6S32X6ofjDzzKJLpZa5YdPosZgHj_R1gR0/s1600-h/Image2.jpg"><img id="BLOGGER_PHOTO_ID_5077119965198663090" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEistpWJimUtAeF6yqc8aOUd38WPE6b8Q6a4ooEjcw_f2yaA-4Kf_mXwCa7CeVPAk6u9b8xmpU-ULL74ufJoJxRFrZzwPlRPGIYwxpVJ-H6nF6S32X6ofjDzzKJLpZa5YdPosZgHj_R1gR0/s320/Image2.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Cl3MGd0TJ_c1UKVMzUph0BMdzqKDs9nBUHHxSGEdyLFuSkcqbZ0RaWNqy7qYCnPBz5PrU1MBEzPml0uVRf9jh8HKR1xpe80uSyBA5vcG6ouhaSzr6g7zKmae1git7fDQ9f1zl0yaZ-8/s1600-h/Image3.jpg"><img id="BLOGGER_PHOTO_ID_5077119969493630402" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Cl3MGd0TJ_c1UKVMzUph0BMdzqKDs9nBUHHxSGEdyLFuSkcqbZ0RaWNqy7qYCnPBz5PrU1MBEzPml0uVRf9jh8HKR1xpe80uSyBA5vcG6ouhaSzr6g7zKmae1git7fDQ9f1zl0yaZ-8/s320/Image3.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk8CDIT3e_uxFZ5JC4Z-yfWbzLwzERcIGXW-fWPqy5_d50ONCIm61w5FyO8vlET9EvRGmGvMjiBfBOyYr-qV8RtvOXPaLhVe2-b-ulw_k30u7T_HBluK0DhPfpgj8qEe6Jsra3QrE8sew/s1600-h/Image4.jpg"><img id="BLOGGER_PHOTO_ID_5077119969493630418" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk8CDIT3e_uxFZ5JC4Z-yfWbzLwzERcIGXW-fWPqy5_d50ONCIm61w5FyO8vlET9EvRGmGvMjiBfBOyYr-qV8RtvOXPaLhVe2-b-ulw_k30u7T_HBluK0DhPfpgj8qEe6Jsra3QrE8sew/s320/Image4.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja3-P3COK3W5jgMsskWvUhSByS4P0pKrtNbkNVR4UElgYzIX33g6kA36VtTYP7s0Y2JQMmJDHM6a_ZDYP0gwNvlZlsz6DvpVKZkQJXpnihrh1T40K033H3BgPAUugKD0zjOsCAsCoITo4/s1600-h/Image5.jpg"><img id="BLOGGER_PHOTO_ID_5077119973788597730" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja3-P3COK3W5jgMsskWvUhSByS4P0pKrtNbkNVR4UElgYzIX33g6kA36VtTYP7s0Y2JQMmJDHM6a_ZDYP0gwNvlZlsz6DvpVKZkQJXpnihrh1T40K033H3BgPAUugKD0zjOsCAsCoITo4/s320/Image5.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8z7iLCWbjhq0nuRIHDjmMCTFryUPnDTHrgHry-4dqUoG4kBpaOKXeUPgDqaqbONdXktBB-Bz1baCIVWhlPzn5eICdIdP5Rm8hqUQdvdfR-0eGMM5m54ZPj1eLg1O3S5bs4dGHvnZGsMQ/s1600-h/Image6.jpg"><img id="BLOGGER_PHOTO_ID_5077119973788597746" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8z7iLCWbjhq0nuRIHDjmMCTFryUPnDTHrgHry-4dqUoG4kBpaOKXeUPgDqaqbONdXktBB-Bz1baCIVWhlPzn5eICdIdP5Rm8hqUQdvdfR-0eGMM5m54ZPj1eLg1O3S5bs4dGHvnZGsMQ/s320/Image6.jpg" border="0" /></a><br /><div></div><br /><div></div>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com0tag:blogger.com,1999:blog-7348839170079059189.post-63856548188437565942007-05-09T08:46:00.000-07:002008-02-11T10:32:40.290-08:00Play:- Court Martial<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPOnoo3_w5Rm-tv9QOuOf9_x-jmEPejrkNiCNNp1uhujmvmasvBkYcNEsHcpSGKMhYhi72aH8iy5NutGUf4HhKxf4vHqRCc4mys_43BXj0211zZAj9DuLhHCP_4oA3eOjJMSnSx3LUotg/s1600-h/court+martial.JPG"><img id="BLOGGER_PHOTO_ID_5062588856424613122" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPOnoo3_w5Rm-tv9QOuOf9_x-jmEPejrkNiCNNp1uhujmvmasvBkYcNEsHcpSGKMhYhi72aH8iy5NutGUf4HhKxf4vHqRCc4mys_43BXj0211zZAj9DuLhHCP_4oA3eOjJMSnSx3LUotg/s320/court+martial.JPG" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGk-bOSyOErEFIKL9L-KFvZfJXqtvE0ZfjckEMmwl0ExlYoFlzG3m84xBPYGotSXviaDeoMqjPnYWHOZSKJYKAQ4f9yaiLSfLmzREo6s8Lzv3R7LWyKITelX9HoHfnXvmjjhM5sDtmfz0/s1600-h/court+martial1.JPG"><img id="BLOGGER_PHOTO_ID_5062588860719580434" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGk-bOSyOErEFIKL9L-KFvZfJXqtvE0ZfjckEMmwl0ExlYoFlzG3m84xBPYGotSXviaDeoMqjPnYWHOZSKJYKAQ4f9yaiLSfLmzREo6s8Lzv3R7LWyKITelX9HoHfnXvmjjhM5sDtmfz0/s320/court+martial1.JPG" border="0" /></a><br /><div><span style="color:#ffff33;">About the play:- Court Martial</span></div><br /><div></div><br /><div>When respect is denied to a man for the only reason that he is borne by ‘low-caste’ parents, the offence cannot simply be termed as a social violence. It assumes larger proportions of crime against humanity and society at large.Yet by the turn in situation the murderer becomes a winner whereas the victim is unforgiven.The culprit may receive severe punishment at the hands of the law but, in fact, it is the society which is put in the docks.Court Martial,written by Swadesh Deepak, is a story of recruit Ram Chander who is tried for murdering one of his officers and injuring another.The Court Martial is presided by a war veteran.Col. Surat Singh who has witnessed many ‘life –and –death’ situation. But this trial puts him in a queer position, so far unknown to him, and during the course of interrogation he realize that the issues at stake are much larger than what meets the eye.Realizing that the Indian Army is the only government agency in which reservation on caste basis is not permissible. Court Martial presents a combination of legal and poetic justice.</div><div></div><div></div><div><span style="color:#996633;">Writer</span>:- <span style="color:#6666cc;">Swadesh Deepak</span></div><div><span style="color:#996633;"></span></div><br /><div></div><br /><div><span style="color:#ffff33;">CRITICS SAYS:-</span></div><br /><div></div><br /><div><span style="color:#33ccff;">Tight pace of Court Martial….not to be missed .</span></div><div><span style="color:#cccccc;">Kavita Nagpal (Hindustan Times)</span></div><br /><div><span style="color:#33ccff;">Gaur’s hard hitting realism…..His infinitely intelligent approach….strong play.</span></div><div><span style="color:#cccccc;">Aruna Ahluwalia (E.News)</span></div><br /><div><span style="color:#33ccff;">A drama that went beyond the limits of drama.</span></div><div><span style="color:#cccccc;">(Indian Express)</span></div><br /><div><span style="color:#33ccff;">The Asmita team has created a marvelous piece of theatre out of a wonderful script….don’t miss it. The times spent watching it is well worth it.</span></div><div><span style="color:#cccccc;">Smita Nirula ( The Pioneer)</span></div><br /><div><span style="color:#33ccff;">Stealing scenes with revolt as the theme ….Court Martial was an engrossing display of theatre for social awareness</span></div><div><span style="color:#cccccc;">Sushama Chadha (Times Of India)</span></div><br /><div><span style="color:#33ccff;">Excellent acting, live and memorable…..worth visit.</span></div><div><span style="color:#cccccc;">Ajeet Rai (Nav Bharat Times)</span></div><br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwLr2Gquh_oPGQTYzVeO3mO1jM3jKFJsSUW6PG1VYy1frWn0hfGALAoXkfNn-yrecS4p1bFjPBmjI6JbOfZGg' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com1tag:blogger.com,1999:blog-7348839170079059189.post-51365389060778136672007-05-08T13:56:00.000-07:002007-10-25T13:07:34.113-07:00Play:- Yam Gatha<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgCk52twelBvUhpaoBE51v7hsqz6FfAS8RwfoFNxy8VS4RFDbIQWvX9gQ1oqt52e0wTVMUONDb2AAXv2raSktxUNbl11LZJ4p7HPutZAC2m5H3mmXcuTkH7BgInPrln7KNTYUwE7wJ-xU/s1600-h/yam+gatha.JPG"><img id="BLOGGER_PHOTO_ID_5062297331224429746" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgCk52twelBvUhpaoBE51v7hsqz6FfAS8RwfoFNxy8VS4RFDbIQWvX9gQ1oqt52e0wTVMUONDb2AAXv2raSktxUNbl11LZJ4p7HPutZAC2m5H3mmXcuTkH7BgInPrln7KNTYUwE7wJ-xU/s320/yam+gatha.JPG" border="0" /></a><br /><div><span style="color:#ffff00;"><strong>About the play:- Yam Gatha</strong></span> </div><br /><div></div><br /><div>This play focuses on the brutality, cruelty and manipulations of the ‘ones in power’ which they exert in order to maintain their authority and domination. The main aim of the ‘system’ is to come in terms with the opposition, no matter if the opponents are sacrificed in the name of religion and under the shelter of law (!). The system leaves nothing unturned. False propaganda is frivolously used to demean the opposition.Yama Gatha throws light on this naked truth. Though mythology forms the basis of the presentation but the content undoubtedly shows its parallel existence in contemporary world situation. The playwright Prof. Doodh Nath Singh has remarkably brought out the prevelant social and political power game situations through the medium of ‘Indra’ and ‘Pururva’. The play is a strong statement on the continuous ‘unannounced’ exploitation which third world countries suffer at hands of developed nations. Deep rooted racial discrimination and caste hierarchies forming the basis of marginalisation, subjugation, subordination and inequality still relevant in Indian as well as global context also find wide representation in the play. Indra is the epitome of ‘World power’ and Brahmins, Rishikul and Raja are his tools in the game of power. Through these tools Indra exploits the people and gets his opponents killed by manipulative declaring them ‘agaisnt religion’ and ‘against mankind’. He calls them ‘Anarya’ and ‘Dasyu’, so as to isolate them from mainstream. ‘Yajna’ for him is an important medium of carrying forward this exploitation. Schools of serviles, parasites, music, alcohol and sex make an integral part of his ‘kootneeti’. The play exposes the farcical, cruel and distorted face of reality of politics through Indra. On the other side Vasishtha and Pururva are striving to restore power to the people. They work together to bring light to the people; they fight for their rights and their welfare. Neither do people have enough fire to live nor do they have access to resources to survive. People are exploited by Brahmins and Purohits in the name of sacrifices and yajnas. Pururva wages war against this exploitation. Indra fears Pururva and tries to tempt him and appropriate him and his guru Vasishtha into the system. Not succeeding in his plans he gets Pururva killed in Purushmedh Yajna under the cover of ‘Dharm Sammat Nyaya’.Yama Gatha attacks the cruel and two faced system and politics in the name of religion. Through Urvashi and Ila, the two women characters, the question of feminine identity and Asmita comes up strikingly in this play.The conflict between two ‘streams of thought’ or ‘cultures’; conflict between those striving for identity, recognition and survival and those engaged in politics of domination, provides strength and sets a large canvas for this play.</div><div> </div><div></div><div></div><div><span style="color:#996633;">Writer</span> :- <span style="color:#6666cc;">Dhoodh Nath Singh</span></div><div><span style="color:#996633;"></span> </div>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com0tag:blogger.com,1999:blog-7348839170079059189.post-48222552229560116042007-05-08T13:34:00.000-07:002007-10-25T13:08:20.061-07:00Play :- Mr. Jinaah<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP75c1Hkws811N3iL1rReGH4rUxRvnt6ZqIeTcgffSHcmOOfQ1yrejGg2ejzNxQZizto4q9xRf-sPT20b9HReDJ_VkqmHMv4OqhTMh21YQ_7GqFY5PG8Bdf87j20IJVMxwPxumhD7-zak/s1600-h/mr.+jinaah.JPG"><img id="BLOGGER_PHOTO_ID_5062294638279935122" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP75c1Hkws811N3iL1rReGH4rUxRvnt6ZqIeTcgffSHcmOOfQ1yrejGg2ejzNxQZizto4q9xRf-sPT20b9HReDJ_VkqmHMv4OqhTMh21YQ_7GqFY5PG8Bdf87j20IJVMxwPxumhD7-zak/s320/mr.+jinaah.JPG" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwp-FxbyuSzgnYt5b1JcWGl2gF8erJGNHZwX_dRXbPHSZtHdqHValuw7jnwxQ0ygXM754aqFgAvoIuMTCYvqA5luNcMZcW7Aj2t58ut_JdemK_b4saSA6o2mQn4DD0rFETa4lzj1bU2x0/s1600-h/mr.+jinaah1.JPG"><img id="BLOGGER_PHOTO_ID_5062294638279935138" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwp-FxbyuSzgnYt5b1JcWGl2gF8erJGNHZwX_dRXbPHSZtHdqHValuw7jnwxQ0ygXM754aqFgAvoIuMTCYvqA5luNcMZcW7Aj2t58ut_JdemK_b4saSA6o2mQn4DD0rFETa4lzj1bU2x0/s320/mr.+jinaah1.JPG" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqlQvSNb2MtGKItKKyTGopZq6B_mwFoT-Q2YuxB8BPpUV_7ys5l3_wjrBwtinjrchrGbnSvKv9qXMN6AOKrrvpW8UexlenIURuQnBab0hnaX7p9Y1fcY7Zh3_5hVhN7SkAGQ5Jhf7CaqI/s1600-h/jinnah.JPG"><img id="BLOGGER_PHOTO_ID_5062292276047922306" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqlQvSNb2MtGKItKKyTGopZq6B_mwFoT-Q2YuxB8BPpUV_7ys5l3_wjrBwtinjrchrGbnSvKv9qXMN6AOKrrvpW8UexlenIURuQnBab0hnaX7p9Y1fcY7Zh3_5hVhN7SkAGQ5Jhf7CaqI/s320/jinnah.JPG" border="0" /></a><br /><span style="color:#ffff00;">About the play:- Mr. Jinnah</span><br /><div></div><div>If we drop some ink on a piece of white paper, and ask people to describe what they see. Most of us will see only the blotch of ink. It will take an extremely aware mind to see the white paper around it and not focus on just one tiny stain. Similarly when a person does something highly appreciable or just the opposite, in both cases, that one deed or misdeed becomes the signature of his character. We focus so much on the visibly outstanding aspect of a life or a person, that we only see the stain on his good deeds and ignore or choose not to acknowledge the background. Whether it's made of gold or thorns the crown that sits on his head becomes his identity.The story of “Mr.Jinnah” is one such story of a man, an institution in him self and a journey of a life, set in the form of a play. It's a journey which will take you into Jinnah's heart, mind, psyche and family, which played vital roles in the creation of a much loved, much respected and much detested and much followed persona of Quaid-e-Azam Jinnah.The play is not just a comment on a statesman's career. It is, author Dr. Narendra Mohan's interpretation of an introspective dialogue of a great leader. A dialogue between his inner and outer self. A dialogue with his support system, which became one of the reasons for his success and downfall. It's a rediscovery of a stoic yet sensitive, introvert and modest man who played a pivotal part in two major upheavals in this part of the continent, first the partition of India, and second the formation of Pakistan.Like most great tragedies, King Lear, Julius Caesar, Hamlet, Macbeth and Othello the play is more of a psychological scrutiny than a political retrospective or a historical docudrama. The visual treatment of the play is unconventional. The director has chosen a visual depiction of Jinnah’s introspection, his pain, regret and sorrow as out of body projections. The facets of his character, emotional outbursts are simultaneously expressed through his body, heart, mind and soul, played by four actors other than Jinnah himself.It seems as if the soul of Jinnah is going around the roles he played in his life and how each role suffered for his decisions. The decisions, which either stemmed from fear, concern or ambition.The protagonist like many other men was unable to express his feelings, and failed to communicate his pain to the people he was closest to. The three women, Fatimah his politically ambitious sister, Ratti his intelligent Parsi wife and Dina his loving daughter, mirror his angst, ambition and antipathy towards his fellow statesmen. Quaid-e-Azam was all alone after he faced the two most tragic episodes, as his family ruptures, which he endured with the calm and acquiescence. He didn't disclose the anguish of his mind to anyone over these distressing separations. A sister who proved to be a friend sacrificed her own dreams and became his shadow. She was his alter ego and later became the mother of the nation.On the other hand Ratti whom he loved dearly was alienated in his political dreams. At 42 he dared to marry a Parsi girl several years younger than him.But 22 years later the protective father and the over zealous politician almost suffocated his daughter's dreams. While he was aware of it and could not forgive himself, yet he couldn't mend the differences, which resulted in two most distressing estrangements in his family. On one hand he was progressive and liberal but on the other hand his indifference towards his wife and daughter left him lonely and sad. Till his last days he thought of his daughter. He loved his home in Bombay and wanted to come back to live there. A father, a friend, a husband, and then a broken man, lonely, hurt and betrayed due to his own lack of judgement. A man, who goes into a shell when he felt cheated, betrayed and misunderstood by many around him. A man who never wanted to hurt people, instead, to save some he jeopardized others and withered in his guilt pangs. It's a whole new perspective by the author into a very complex man who had more facets to his character than just a leader. He was just like us and yet he was much more than us.A man who spend his entire life fighting for the inherent rights of his people and who took up a somewhat unconventional and largely misinterpreted cause of Pakistan, was likely to be misunderstood and bound to generate violent opposition and excite implacable hostility. Yet it’s remarkable that he received some of the greatest tributes in modern times, even from those who held a diametrically opposed viewpoint.Sharat Chandra Bose, leader of the Forward Bloc, said on Jinnah’s death in 1948 -- "Mr Jinnah was great as a lawyer, once great as a Congress-man, great as a leader of Muslims, great as a world politician and diplomat, and greatest of all as a man of action. By Mr. Jinnah's passing away, the world has lost one of the greatest statesmen and Pakistan its life-giver, philosopher and guide". Lord Pethick Lawrence, the former Secretary of State for India, said, "Gandhi died by the hands of an assassin; Jinnah died by his devotion to Pakistan".Jinnah wanted to pursue theatre while he was in London. He was an art connoisseur. He had a compulsive disorder of washing hands. Was he a control freak? Or was it that his creative repression burst out in the form of aggression. Or was it just his ego, which was terribly hurt in the congress meeting. Or was it the love and concern for the future of his community at the hands of other fundamentalist that he did what he did?Was it by chance that birth of Dina and the birth of Pakistan was on the same date, i.e. between the night of 14th and 15th August? Was it just a mockery of destiny that both his children Dina and Pakistan, whom he loved so much, ignored his authority and deserted him? And in his last days they both haunted him. </div><div> </div><div></div><div></div><div><span style="color:#996633;">Writer</span> :- <span style="color:#6666cc;">Narender Mohan</span></div><div><span style="color:#6666cc;"></span> </div></div>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com1tag:blogger.com,1999:blog-7348839170079059189.post-69892495692127628072007-05-08T13:09:00.000-07:002007-11-22T08:00:11.391-08:00Play :- Final Solution<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB77pw4Hz26fMghrUWj0UCEPD-6XVsIsT4I9l0vGc0KzLOqsQ433EJKvqLSQ4FsUXtBjITl1CN9zC3hnCTvv9rp5XkQwWNCYFsZF2snZdxuipxfxF_0hZ3wRExrx5I9nBeIfkZmYBeNPU/s1600-h/FS4.jpg"><img id="BLOGGER_PHOTO_ID_5135694211540745474" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB77pw4Hz26fMghrUWj0UCEPD-6XVsIsT4I9l0vGc0KzLOqsQ433EJKvqLSQ4FsUXtBjITl1CN9zC3hnCTvv9rp5XkQwWNCYFsZF2snZdxuipxfxF_0hZ3wRExrx5I9nBeIfkZmYBeNPU/s320/FS4.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDKt8V1g57eXGQvhp1g6jsmM9g3PLCytijRihYQ47ijnaeZwCG4n8siu484aRR53CtawjU_ffA5KNAzPFrHgoDkLURnFYaMJlLntOCvgykd0TMyVcZ7sB4RJigHtofNWek14kfkHavXfI/s1600-h/final+solution.jpg"><img id="BLOGGER_PHOTO_ID_5062285081977701490" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDKt8V1g57eXGQvhp1g6jsmM9g3PLCytijRihYQ47ijnaeZwCG4n8siu484aRR53CtawjU_ffA5KNAzPFrHgoDkLURnFYaMJlLntOCvgykd0TMyVcZ7sB4RJigHtofNWek14kfkHavXfI/s320/final+solution.jpg" border="0" /></a><br /><br /><div><strong><span style="color:#ffff00;">About the play :- Final Solution</span></strong></div><br /><br /><div></div><br /><div>"Final Solution" has a powerful contemporary resonance as it addresses as issue of utmost concern to our society, i.e. the issue of communalism. The play presents different shades of the communalist attitude prevalent among Hindus and Muslims in its attempt to underline the stereotypes and clichés influencing the collective sensibility of one community against another. What distinguishes this work from other plays written on the subject is that it is neither sentimental in its appeal nor simplified in its approach. It advances the objective candour or a social scientist while presenting a mosaic of diverse attitudes towards religious identity that often plunges the country into inhuman strife. Yet the issue is not moralised, as the demons of communal hatred are located not out on the street but deep within us. The play moves from the partition to the present day communal riots. It probes into the religious bigotry by examining the attitudes of three generations of a middle-class Gujrati business family, Hardika, the grandmother, is obsessed with her father's murder during the partition turmoil and the betrayal by a Muslim friend, Zarine. Her son, Ramnik Gandhi, is haunted by the knowledge his fortunes were founded on a shop of Zarine's father, which was burnt down by his kinsmen. Hardika's daughter-in-law, Aruna, lives by the strict code of the Hindu Sanskar and the grand daughter, Smita, cannot allow herself a relationship with a Muslim boy. The pulls and counter-pulls of the family are exposed when two Muslim boys, Babban and Javed, seek shelter in their house on being chased by a baying Hindu mob. Babban is a moderate while Javed is an aggressive youth. After a nightlong exchange of judgements and retorts between the characters,tolerance and forget fulness emerge as the only possible solution of the crisis. Thus, the play becomes a timely reminder of the conflicts raging not only in India but in other parts of the world. </div><br /><div></div><br /><div></div><br /><div></div><br /><div><span style="color:#996633;">Writer</span> :- <span style="color:#6666cc;">Mahesh Dattani</span></div><br /><div><span style="color:#6666cc;"></span></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div></div>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com3tag:blogger.com,1999:blog-7348839170079059189.post-44215477349930222622007-05-08T11:16:00.000-07:002007-11-13T07:43:39.921-08:00play :- Mote Ram ka Satyagrah<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6SjcPJjJ4FllM71jrtbbO7PKKXmgT7hI888qa-il6JHYIidXpmyQSzp71Z8FYG5Bpz905uK0UjG07Qul0dEQYcnUXhNbzmbTfQZ1TRR2ZDFTtrEVT9GW5tuFaJpv1ejCjML6UpQMjvCQ/s1600-h/mr2.jpg"><img id="BLOGGER_PHOTO_ID_5132350949974891138" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6SjcPJjJ4FllM71jrtbbO7PKKXmgT7hI888qa-il6JHYIidXpmyQSzp71Z8FYG5Bpz905uK0UjG07Qul0dEQYcnUXhNbzmbTfQZ1TRR2ZDFTtrEVT9GW5tuFaJpv1ejCjML6UpQMjvCQ/s320/mr2.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinZdy6B7o_BQIViLeVEeE3m2LhFdZ4hxUFv-uL9yGSzcxCzdQQ9q4AViQhGEHZ9HRTrq-3dga68GbfNq8PJBf_mKqaeCGbwsttdMz1iG1yPokWXNZpb_vDpqDFVgA-1TeziwtZ4rD31nA/s1600-h/mote+ram+ka+satyagrah.jpg"><img id="BLOGGER_PHOTO_ID_5062256387301196770" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinZdy6B7o_BQIViLeVEeE3m2LhFdZ4hxUFv-uL9yGSzcxCzdQQ9q4AViQhGEHZ9HRTrq-3dga68GbfNq8PJBf_mKqaeCGbwsttdMz1iG1yPokWXNZpb_vDpqDFVgA-1TeziwtZ4rD31nA/s320/mote+ram+ka+satyagrah.jpg" border="0" /></a><br /><br /><div><strong><span style="color:#ffff00;">About the play :- Mote Ram ka Satyagrah</span></strong><br /></div><br /><br /><div>The play is a comic-satire with all the elements of a musical. On the surface, the play appears to be a simple story about a Brahmin from Banaras . The town of Banaras adorns itself to receive a Vice Roy, as per the directions given by the Magistrate - Sir William Parkinson.<br />Pandit Mote ram Shastri, the protagonist seems to have bitten more than he can chew, and agrees to go on a hunger strike to stop the people of the town from declaring a "Hartal". Whether or not the pundit succeeds in controlling his hunger brings the play to its comical climax. There is more to this play then meets the eye. It deals with larger issues of the relationship between Religion & Politics. The play Wright, intricately weave the threats of this rather sensitive subject into a cohesive and entertaining play. The issues raised are as relevant and contemporary now, as they were under the colomset's rule.</div><br /><div></div><br /><div></div><br /><div></div><br /><div><span style="color:#996633;">Writer</span> :- <span style="color:#6666cc;">Habib Tanvir & Safdar Hashmi</span></div><br /><div><span style="color:#6666cc;"></span></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div><br /><div></div></div>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com6tag:blogger.com,1999:blog-7348839170079059189.post-16149710831701875872007-05-08T10:59:00.000-07:002008-02-12T12:25:39.107-08:00play : Operation Three Star<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhQve2Av3ILw1ioPGLcDYKhSJ5zOh1xaU6LIYExtFOZnsZgitKlKZaWAk68h71mx-btk-7oGI2E8pw7tF1hhIsAmRhC3VKr-XmeryjTpC-Nzq3RPwxA2cB5xRhiSM-yVVdkbffufrUUgk/s1600-h/girish+OTS.JPG"><img id="BLOGGER_PHOTO_ID_5062252010729522114" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhQve2Av3ILw1ioPGLcDYKhSJ5zOh1xaU6LIYExtFOZnsZgitKlKZaWAk68h71mx-btk-7oGI2E8pw7tF1hhIsAmRhC3VKr-XmeryjTpC-Nzq3RPwxA2cB5xRhiSM-yVVdkbffufrUUgk/s320/girish+OTS.JPG" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht4XPYQcOS1KWgjr4gThPKYsKUmSkJk9NxEprjGztLE-OlRaSM18hO6oxIKDppWTlN1uC8n8WEiiadUUwAMpIwtwFCzb3FTwZxKMDNnmQucTTbhqXw97DjS5CZ_nTzm_7eFJ4DHEGXt2c/s1600-h/DSC01438.JPG"><img id="BLOGGER_PHOTO_ID_5062252019319456722" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht4XPYQcOS1KWgjr4gThPKYsKUmSkJk9NxEprjGztLE-OlRaSM18hO6oxIKDppWTlN1uC8n8WEiiadUUwAMpIwtwFCzb3FTwZxKMDNnmQucTTbhqXw97DjS5CZ_nTzm_7eFJ4DHEGXt2c/s320/DSC01438.JPG" border="0" /></a><br /><div><strong><span style="color:#ffff00;">About the play:- Accidental Death of an Anarchist(Operation Three Star)</span></strong></div><div></div><div></div><div></div><div></div><div></div><div>Grounded in a very specific, disturbing politicl reality the Operation Three Star offers a scathing comment the real events which are criminal and obscene in their brutality:Crimes of the state.With his seemingly insane logic the maniac is instumental in unmasking the criminal folly of the law enforcing agency in its attempts to cover up heinous action. He persistently ridicules the policie's shaky case and forces them to re-enact the situation in that led to the 'suicide' of a 'terrorist' under their custody. Subsequently, they contradict themselves to dismentle the whole issue of half-truths and non-sequiturs. An escalating series of impersonations and misunderstandings extend a particular viewpoint. The jerk from comic gags to a fuller awareness of serious issue becomes a potent device as the crude voilence of the power-that-be is recognised.</div><div></div><div></div><div></div><div><span style="color:#996633;">writer </span>:- <span style="color:#6666cc;">Dario Fo</span></div><div><span style="color:#6666cc;"></span></div><br /><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxBaXrZiVfZ8zO3JhDtTIoic50jXec4zWmgAF2e19KgjDX9mmO7QEKbGSCJEe9YDHQss1a2Qz2IFIBh-5i-MA' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com0tag:blogger.com,1999:blog-7348839170079059189.post-14292165187281615352007-05-08T10:14:00.000-07:002007-10-25T13:10:29.339-07:00Play:- 30 days in september<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYqcrakfJd6x6nTUYO6D0fWuBnZCscSvZ4YSXfTe0zr5Q8UkJ4M-yGGQ7lXADGZ1HPzx-QsWqALhCUAHr3iI1zt7ucINZd4nRRCL3l49ymwdiGRZjBcJhYWOaTKCAl7WjBRZ9tIZe5Ep0/s1600-h/30days+in+september.jpg"><img id="BLOGGER_PHOTO_ID_5062240109375144866" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYqcrakfJd6x6nTUYO6D0fWuBnZCscSvZ4YSXfTe0zr5Q8UkJ4M-yGGQ7lXADGZ1HPzx-QsWqALhCUAHr3iI1zt7ucINZd4nRRCL3l49ymwdiGRZjBcJhYWOaTKCAl7WjBRZ9tIZe5Ep0/s320/30days+in+september.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZwpnE3YkdWjDuqI3YBuF-Upx0HcoY5fb74bvkIh6kOlg9DeLadLiBTCOOoUcKVAO18Pp8oQxHUJJ_X2fQncsEHKrXqWkAkg1FrZ4tHbn0hX4I475RvtSpbjOBivBmnaZeSWPdqMFKPHM/s1600-h/girish+in+30+days.jpg"><img id="BLOGGER_PHOTO_ID_5062240109375144882" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZwpnE3YkdWjDuqI3YBuF-Upx0HcoY5fb74bvkIh6kOlg9DeLadLiBTCOOoUcKVAO18Pp8oQxHUJJ_X2fQncsEHKrXqWkAkg1FrZ4tHbn0hX4I475RvtSpbjOBivBmnaZeSWPdqMFKPHM/s320/girish+in+30+days.jpg" border="0" /></a><br /><br /><strong><span style="color:#ffff00;">About the play :- 30 days in september</span></strong><br /><br /><div>A play about love and betrayal, 'Thirty Days' treats the sensitive and generally taboo issue of child sexual abuse. 'Thirty Days' endeavors to lift the veil of silence which surrounds child sexual abuse and addresses the issue unflinchingly. it builds on the trauma of Mala who lives with the haunting memories of her abused past. Her abuser - her uncle - subconsciously lives with her all the time, as part of her dirty reflections. He damages her natural growth, deters her from pursuing her love interests beyond the ominous 30-day period and scars her soul every now and then. As Mala withers under the psychological pressure exterted on her by the abuser, her mother watches silently, living her own pain - suffering mutely. Exploring the painful problem, Mahesh dattani Dattani raises valid concerns and structures a world of optimism where the wrongs can stand corrected and resurrection of brutalised faith is possible. But none of this happens without another man’s willingness to help the two women bury their traumatic past and find ways of rejuvenating their present. Deepak , Mala’s boyfriend, becomes the agent of change here. He dares to unmask the evil, even at the cost of his love. He hits the women hard until they hit the rock bottom. Finally, there is no way but to come up - face the wrongs and dare to correct them, notwithstanding the challenges the process of correction entails. By marking a daring departure from norm, the play ensures that we, as a society, no longer take comfort in the routine of uttering word “incest” in gutless undertones. The play also brings us closer to the reality of abused children -pleasure does form a part of their pain, but finally the consequence of dangerous games can only be dangerous. Our only way to fight danger is to recognise it and crush with generous doses of brutality lest we are ready to condemn innocence to lifelong death.</div><div> </div><div></div><div><span style="color:#996633;">writer</span> :- <span style="color:#6666cc;">Mahesh Dattani</span></div><div><span style="color:#6666cc;"></span> </div>Girish Palhttp://www.blogger.com/profile/09328288772482187787noreply@blogger.com5